Dishwalla :: essays research papers

DishwallaListen nigh to Dishwalla, and you discover there is blood on these tracks.Twelve years and quint phonograph albums after the chevron from Santa Barbara, California made theirdebut, Dishwalla endures. Together the group whiz singer JR Richards, guitarist RodneyBr admiting, bassist Scot Alexander, keyboardist Jim Wood and drummer Pete Maloney -have survived record company melodious chairs, countless musical trends, and even thecurious challenge of having their very own smash hit right out of the box. Through it all the good, the mischievously and the ugly Dishwalla have emerged stronger than ever, and in theprocess have established themselves as that rock & roll rarity a real, working band that stay together to play together.Fittingly, then, Dishwalla (a self titled CD) is very much an album some survivaland transcendence an inspired striving cycle about rising Above The Wreckage to borrowa phrase from one of the albums numerous standout tracks. Recorded with thre e diverse notwithstanding tell apart producers Bill Szymczyk (The Eagles, B.B. King), Sylvia Massy(Tool, System of a Down) and Ryan Greene (NOFX, Lag Wagon) the new CD is, in thewords of the groups JR Richards, very representative of our whole journey.Its a journey that, for many, began with Dishwallas 1996 platinum debut PetYour Friends that include Counting Blue Cars, the compelling hit track that woulddefine the band for its more casual fans. A hit can be a blessing and a curse in themaking, Richards says with a smile. We had a straining so big that it overshadowedeverything else we came up with for the next few years. You end up competing withyourself. Its been a mixed blessing but one thats helped us to keep working and keepgoing. Its also a song thats led some to wrongly typecast Dishwalla as everything froma hardcore Christian band to hardcore feminists. For Richards, Its been evokebecause some people thought we were a Christian band and yet thered be Christiangroups pr otesting outside a association because we used God as a feminine pronoun.Ultimately, what we learned is how that song really connected with so many people on much(prenominal) a lyrical level.Dishwalla enjoyed less commercial success with their second album, 1998s AndYou Think You Know Whats Life About, at least part the result of record companydownsizing and its resultant turmoil. Leaving their label, A&M Records, the bandproceeded to release the lovely, introspective Opaline on the fiddling Immergent label in2002. We were pretty beat up after our graduation two records and our third record was very